
press

Hollywood Times
In Season 4 of FX’s The Bear, veteran actor Edwin Lee Gibson delivers a breakout performance as Ebraheim, a once-quiet line cook who evolves into a bold visionary. As Ebra proposes franchising The Original Beef, his transformation becomes central to the season’s high-stakes themes of leadership, reinvention, and ambition. Gibson’s standout scenes with Rob Reiner, plus his powerful off-screen journey as a theater legend and UN activist, make this a must-watch for fans of character-driven drama. Now streaming on FX, Hulu, and Hulu on Disney+.

Pictures & Patter
Watch David of Pictures and Patter as he sits down with The Bear star Edwin Lee Gibson to discuss the new season of the hit show, his extensive acting career, and what he considers his superpower!

Vulture
In Season 4 of FX’s The Bear, veteran actor Edwin Lee Gibson delivers a breakout performance as Ebraheim, a once-quiet line cook who evolves into a bold visionary. As Ebra proposes franchising The Original Beef, his transformation becomes central to the season’s high-stakes themes of leadership, reinvention, and ambition. Gibson’s standout scenes with Rob Reiner, plus his powerful off-screen journey as a theater legend and UN activist, make this a must-watch for fans of character-driven drama. Now streaming on FX, Hulu, and Hulu on Disney+.

The Wrap
In The Bear Season 4, Ebraheim emerges as the unexpected savior of the restaurant. Played by Edwin Lee Gibson, Ebra’s rise from quiet cook to franchise visionary adds heart, urgency, and depth to the series. A tribute to found family and second chances—now streaming on Hulu.

TRIB LIVE
In Season 4 of The Bear, Ebraheim steps into the spotlight with a surprising plan that could save the restaurant. Played by Edwin Lee Gibson, Ebra’s growth, business savvy, and chemistry with Rob Reiner bring heart and humor to the season. A quiet hero redefined—now streaming on Hulu.
Edwin Lee Gibson’s Press Release
Fresh off his appearance as a presenter at the 2025 Writers Guild Awards, Gibson completed principal work on his directorial debut, a short film titled:
a pink and red dress, made of satin… covered in flowers, mostly roses — currently in post-production.

The Upcoming Interview
Watch Edwin Lee Gibson interview with The Upcoming on The Bear Season 3.

The Wrap
Ebraheim steps into the spotlight in Season 4 of The Bear, evolving from a quiet presence to a key strategist with a game-changing vision. Played by Edwin Lee Gibson, Ebra’s growth and bold franchise pitch redefine his role and shake up the kitchen dynamic. A powerful arc in FX’s hit series—now streaming on Hulu and Disney+.

LA Times Review
It would be hard to imagine two more divergent personalities than heavyweight champion Muhammad Ali and Hollywood comedian Stepin Fetchit. Temperamental opposites, they formed an improbable alliance when Ali was about to make good on his claim of being the greatest of all time and Fetchit, a former movie star, was being called out by civil rights leaders for the way his onscreen characters perpetuated racial stereotypes.

TRIB LIVE
In The Bear, Edwin Lee Gibson brings depth and calm to the mysterious Ebraheim—a role rooted in love, skill, and quiet strength. From Pittsburgh’s Hill District to FX’s hit series, Gibson’s journey reflects the soul of a character who defies stereotypes and steals scenes. Now streaming on Hulu.

Wall Street Journal Review
One of the best is a late-inning, late-evening conversation between Marcus and Sydney (the spectacular Ayo Edebiri) that is so natural it seems unscripted, which is a credit to both the actors and the writers (who include Mr. Storer and his co-executive producer, Joanna Calo, both of whom direct different episodes). The characters often behave in ways that seem extreme, but the tone of “The Bear” emanates from the precarious position the shop is in, the clash of cultures in the kitchen, and street-level violence that seems at all times imminent. Then someone like the meat chef Ebraheim (a terrific Edwin Lee Gibson) says something dryly hilarious and the pressure is released from the cooker.

The Village Voice Review
The plays we call “Greek tragedy” all came from Athens, where the annual tragic festival was both a religious and a civic event: Sacred to Dionysus, it began with a procession around the whole city, called the Panathenaead, during which offerings were made to Athena, the city’s patron goddess, whose attributes were viewed as generally opposite to the wine god’s. Athena was literally all brain, born out of the head of Zeus, daughter of an idea. Dionysus was conceived the normal way but born “wrong,” out of the male groin instead of the female. These and similar matters were common knowledge to fifth-century Athenian playgoers.